I care about writing. It’s more or less the only thing I can do better than average - and, not by coincidence, it’s the thing I’ve done most and for longest. So, naturally, I’m always interested in reports from the copywriting front. What’s going on out there? Is writing in, or out? Is it getting better, or worse? And commercially, is it a buyer’s or a seller’s market?
Right now, the messages are mixed. Big picture, the news is more good than bad: the rise and rise and rise of email, texting and social networking mean that billions of people are writing trillions more words than they did, and even if these words are very largely badly chosen, mis-spelt and poorly punctuated at least they’re words.
In close-up, the picture is more confusing, with random signals from different parts of the battlefield telling an extremely fragmented story.
The other day I was pleased, for example, when a close copywriter friend at another agency told me that their winning move in a pitch for a big investment account recently had been to concentrate on copywriting: for clients sick and tired of having to fill in all the grey lines on the layouts themselves this was exactly what they wanted to hear.
On the other hand, I am noticing some more and more illiterate stuff out there - stuff that not so long ago someone would have picked up at an earlier stage. You’d think, for example, that given their current troubles Toyota would want to take every opportunity to reassure on their quality control standards: but the writing in the full-page mea culpa ad that’s been running recently is truly horrible, the first couple of paras in particular being so hopeless that they confirm all your worst fears of their accelerator linkages and braking systems.
And on the third hand (not sure quite how to accommodate ths trend, but still) I notice what seems to be a slightly troubling reluctance, on the part of clients at least, not to write but to read. These days, on average, I’m finding that of the time available to produce a piece of work that includes a significant amount of writing - a brochure, say, or a website - something less than a quarter of the time is available for me to write it, while over three-quarters is reserved for the clients to read it. At the extreme, it’s even worse: I can think of one brochure which I had to write in less than a week, but where I’m still awaiting comments two months later.
What does all this mean? Whatever you want it to mean, really. But even the biggest writing bear would have to accept the fact that I’m writing this, and you’re reading it. So that means there are at least two of us left with some kind of interest in words.�
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